And now we have the second set of photos in a red batiste fundoshi. This was how the shots came out of the camera (with correction for exposure).
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A blog by Alan Prufrock highlighting ʻpersonalʻ photography and fundoshi designs.
And now we have the second set of photos in a red batiste fundoshi. This was how the shots came out of the camera (with correction for exposure).
For the last take on this white voile fundoshi in the shower (thus, the ʻwetʻ designation), I upped the drama a bit by darkening the photo. I also played up some of the cooler tones in the tile background.