For this take on the grey fundoshi, I gave it a ʻvitageʻ feel by lowering the contrast and saturation of the photos. This left them a little dull, so I used setting in the color channel to try to make the fundoshi color remain a bit more vivid than the rest of the photo.
For the post production on this shoot in a blue gauze fundoshi against a white sheer curtain background, I decided to take a lighter approach than I normally do. I went for a soft, ethereal feel using a white vignette coupled with some glow effects.
fabric - batiste
color - red
funodshi Design - used a plate to outline the large circles and a brush to create the long lines
photo shoot - in bed
