2019 Hotel Series - Black Voile Fundoshi - The Bed Shoot - Opal 1

For this take cavorting on a bed in a black voile fundoshi, I was trying to bring out some subtle colors. To be quite honest, I can't remember what I did to achieve this and since the editing software I'm using is new to me, I accidentally deleted the edit settings, so can't back-track to figure it out. I do like how they came out.

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2019 Hotel Series - Grey Voile Fundoshi - B&W 1

Part of the grey voile fundoshi 'stripping' shoot set of photos. For this set, I went for a black and white, high contrast look. If I remember correctly, I played a bunch with the red channel to achieve the final look.

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2019 Hotel Series - White Voile Fundoshi - Wet Pearl 1

So see-through fundoshi this is. When wet, white disappears. So much for my yoda-speak! I wanted a version of this shoot to be as white and placid as it could be and think I hit upon a good look here. A combination of updating the white balance, exposure and a filter called Orton got me to where I wanted this to go. 

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2019 Hotel Series - Purple Voile Fundoshi - The Bed Shoot - Harsh 1

For the second take of this purple voile fundoshi, posing on the hotel room bed, I decided to go quite hard and harsh with the approach during post-production. I increased the black point in the photos and increased the contrast quite a bit to achieve this look. 

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2019 Hotel Series - White Voile Fundoshi - White on White - Iced 1

I often equate blues with winter. For this take in a white fundoshi, I played a bunch with the light balance to bring out the cool tones of blue. It worked better for shots where I was positioned further from the camera. I also paid attention to keeping some orange tones in the flesh, just to ensure a good color balance.

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2019 Hotel Series - Brown Voile Fundoshi - Contrary 1

I like the work contrary for this particular take on the shoot in a brown voile fundoshi. I severely increased many aspects of the photos from an edge and detail perspective, sharpening the details. 

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