The second set of photos in a grey voile fundoshi done with little post-processing.
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A blog by Alan Prufrock highlighting ʻpersonalʻ photography and fundoshi designs.
For the last take on this white voile fundoshi in the shower (thus, the ʻwetʻ designation), I upped the drama a bit by darkening the photo. I also played up some of the cooler tones in the tile background.
This one was easy - I just used a pre-canned filter in my editing software that put a glimmer of light on the photos...almost like a prism was hanging in the window, but with way more light pollution!
For this post-production set of the grey voile fundoshi photos, I went for a late 60s, early 70s polaroid look where the cameraʻs flash was just a little bright for the room. That was what I was going for, anyway. Here they are!
And for this set, a traditional black and white treatment of the stripping shoot in a blue gauze fundoshi. I sharpened up the blacks and details a bit to add some drama.
The new photo editing software I use includes a bunch of filters and effects that with the touch of a button, can be applied to photos and viola - instant success. This is one of those filters that introduces some light noise to the photo from the white voile fundoshi ʻwetʻ shoot. I did lighten the base photo up a bit from an exposure perspective prior to applying the filter. I think it works well with the colors of the fundoshi.