Sunday, May 31, 2015

Fundoshi Rehash 7 - White Lawn With a Black Dot

Last time with the surplus fundoshi photos from Fundoshi as Prop and Fundoshi as Prop....Part Two .  I took these even further in desaturation by making them black and white. 
original
rehash


I've used a similar approach before when doing black and white.
fundoshi rokushaku
 Lots of mood with great amounts of contrast.
fundoshi rokushaku
 Deep blacks causing the photos do have an edge I like.
fundoshi rokushaku
 ...more...

Sunday, May 24, 2015

Fundoshi Rehash 6 - White Lawn With a Black Dot

I continue with the surplus of photos from Fundoshi as Prop and Fundoshi as Prop....Part Two .  For today's post production, I am pushing the ideas I had in the original shoot a bit further. I wanted a flat feel to the photos, and with my increased knowledge over the past couple of years on using Aperture, I think these are more of what I originally wanted.
fundoshi rokushaku
original
fundoshi rokushaku
rehash


I may have gone a bit too far, but I actually like the looks of these. 
fundoshi rokushaku
As you can tell, I desaturated the color quite a bit. I also increased the black point a bit. I did this because when I desaturated and flattened out the vibrancy, I was loosing detail on my body hair.
fundoshi rokushaku
Increasing the black point helped retain the detail in the hair. 
fundoshi rokushaku
 ...more...

Sunday, May 17, 2015

Fundoshi Rehash 5 - White Lawn With a Black Dot

For today's rehash, I have a lovely white lawn fundoshi with a black dot. These photos are the surplus from Fundoshi as Prop and Fundoshi as Prop....Part Two. I think I'll stop calling them 'rejects' as they didn't appear in the original blog due to me limiting the number of photos each blog contains. In reality, since I shoot these myself, one shoot might be 150 to 200 photos, of which I choose about 15-20 for the blog. By just doing some simple math, you can see how I have a surplus of photos to choose from for this 'post-production' project I am on. 

fundoshi rokushaku
original
fundoshi rokushaku
rehash


As you can see, the original was quite flat in its tone. I decided to pump that up a bit by starting with the 'toy camera' filter Aperture has. I used this in a lavender rehash, and liked the results.
fundoshi rokushaku
 I then increased the vibrancy a little as well as the blacks. 
fundoshi rokushaku
For the few that I was originally trying to achieve a soft focus on my body and a sharp one on the fundoshi, I manually manipulated the areas a bit with skin smoothing and blur options.
fundoshi rokushaku

...more...

Sunday, May 10, 2015

Fundoshi Rehash 4 - Lavender Gauze Again....


Once again, the lavender fundoshi originally seen herehere and here.


For this take, I had a bit more of a 'what would happen if' type of approach.
fundoshi rokushaku
rehash
fundoshi rokushaku
original


So here is a breakdown.....
fundoshi rokushaku
Extra exposure (I know, they seem dark for that), increase black point (oh, now I get it) and a slight decrease in brightness.
fundoshi rokushaku
I played with the Curves settings until I got the effect I wanted and added the vignette we spoke about in another blog. 
fundoshi rokushaku
Just as you suspected, I increase the intensity of the contrast. 

...more...

Sunday, May 3, 2015

Fundoshi Rehash 3 - Lime Green Gauze

One of my favorite fundoshi colors - lime green. Because of this, today's rehash puts the green front and center.

The original shoot these photos are from can be found herehere and here.
fundoshi rokushaku
original
fundoshi rokushaku
rehash


As you can see, I played a bit.
fundoshi rokushaku
 I did some simple tweaks to the exposure, making sure I retained the detail.
fundoshi rokushaku
 Then I significantly increased the black point, making them a lot moodier than the originals. 
fundoshi rokushaku
 Once that was done, I changed them to a highly contrasted black and white. It was then a matter of removing the black and white filter where I wanted the green to show. 
fundoshi rokushaku
 I will admit, these took a while to get right, but I like the outcome.

...more...